The film promotes a view on organic relationships - Jabari and Meadow - and disapproves of hookup culture - the regretted one-night stand between Jabari and Carmen before he met Meadow - associated with the current dating culture. Throughout the film, advertisements for the online dating app Stush are promoted all over New York City. It is a wholesome relationship that ultimately overcomes adversity in the end.Īnother point the film analyzes is the construct of online dating.
Their interest in one another is more evident in the silent moments when their eyes lock than through outward displays of affection. With their shared love of art, the young couple forges a sweet, innocent connection. The most significant use of the practice is when Jabari first lays his eyes on his photographer neighbor Meadow, when the song “Angel” begins to play.
#GRAFFITI CHARACTERS TV#
This creates unique concepts of in-film music videos that extend the TV special into an experimental multimedia presentation. Significant moments in the narrative are emphasized with music from the new album of the same name - “Entergalatic.” The music is smoothly included in montages, such as when Jabarai goes out partying with his friends, that not only extend the plot, but encourage viewers to listen to the rest of the album “Entergalatic.” While Jabari embarks on his new job he runs across two significant women, his ex-girlfriend Carmen, voiced by Laura Harrier, and his new love interest Meadow, voiced by Jessica Williams.
Rager - the name of Cudi’s second album and musical alter ego - into a comic book. In “Entergalactic,” New York City is illustrated with subtle blue, pink and orange undertones with an animation style very similar to “Spider-Man: Into the Spider-Verse.” The comic book aesthetic is prevalent as Jabari is brought to Manhattan to convert his graffiti character, Mr.
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